Elements of Story: Plot

I did a recent little series on story telling, where I told three stories and asked you to help me analyze them. I outlined four key essentials to any story - a place, a plot, people, and conflict. Now I'm interested in working through those essentials and would like to start with Plot.

Don't start with plot as the basis of your story, first off. The basis of your story should be your characters - the natural conflict in your characterizations will lead to your plot. I'm starting with plot now because I already have an idea of what to say.

Most plots can be broken down into a plot archetype. There are many ways of identifying the different plot archetypes, and I've narrowed it down to this particular list of seven (By Christopher Booker).

1. Overcoming the Monster - the protagonist learns of a great evil and sets out to destroy it. (Terminator)
2. Rags to Riches - the protagonist moves from a place of oppression to a place of glory. (Aladdin)
3. The Quest - the protagonist learns of something that must be done/received and sets out to do it. (Indiana Jones)
4. Voyage and Return - the protagonist leaves his calm and peaceful world and enters a place of adventure, only to return as a more mature individual (Inception)
5. Comedy - the protagonist is prevented from reaching his goal (usually marriage) by the opposition, and is finally allowed to get his happy ending (The Princess Bride)
6. Tragedy - not the opposite of a comedy, but the opposite of overcoming the monster; the protagonist spirals down into darkness, eventually becoming the monster (Macbeth)
7. Rebirth - the protagonist begins a downward spiral into darkness (like in a tragedy), but repents and is 'reborn' (Let's go with Star Wars, and Anakin Skywalker in particular)

Obviously, stories can have elements of all these plots in them. The larger the story, the more plots it will contain. "Lord of the Rings" taps on all 7 of these plots at some point; "Jaws" taps on three to five; "Little Red Riding Hood" really only has one or two.

Now we have 7 types of stories. We need to evaluate what stories we are telling and what categories they fit into. This can help us 'lean' down stories and trim the fat of filler. For example, if I was trying to tell a story about a young man who sets out to fight a grizzly bear, I would want to trim the focus from his relationships or his finances, as though are different types of stories.

This can help us focus on our lives as well - what types of stories are we leading? Are we slowly edging into a tragedy - becoming our parents?!? Are we focused only on the rags to riches, trying to climb a corporate ladder? Do we view our lives as a comedy, where everything conspires against us and we must strive to get our happy ending? And if we like the story we're telling, perhaps we need to cut out the parts that don't add to the story, so we can tell a better story.

I want a great story for my life (and for the stories I tell). I want an epic story like "Lord of the Rings," not a cgi-filled yet empty and meaningless story like "Transformers."